When I started shooting bands my #1 goal was to shoot Bruce Springsteen & the E Street Band (yes, I'm from New Jersey). Sony licensed my images for the 2008 Tour Program; I had 6 pages including the coveted center spread. The art director told me that The Boss approves every image. Mind blown.

When I started shooting bands my #1 goal was to shoot Bruce Springsteen & the E Street Band (yes, I'm from New Jersey). Sony licensed my images for the 2008 Tour Program; I had 6 pages including the coveted center spread. The art director told me that The Boss approves every image. Mind blown.

The top image was used to promote Springsteens' halftime show for Super Bowl XLlll in 2009.

This was an email that was sent to their 100,000 fans promoting "One Big Holiday", a 4-night concert adventure that features 3 totally unique shows with the Caribbean Sea as a backdrop.

Back cover of "Tournado"

Interior of DVD booklet

Interior cover

This was the first big usage of my work and I will be forever grateful to Shooter for choosing my work.

Pollstar is the only trade publication covering the worldwide concert industry. It has been supplying in-depth information to every professional concert promoter, booking agent, artist manager, facility executive and every other entity involved in the live entertainment business for 30 years.

Like the Velvet Underground, their most obvious influence, the chart success of the Jesus and Mary Chain was virtually nonexistent, but their artistic impact was incalculable; quite simply, the British group made the world safe for white noise, orchestrating a sound dense in squalling feedback which has served as an inspiration for many bands. source: allmusic.com

Remix was a monthly magazine for disc jockeys, audio engineers, record producers, and performers of electronic music. The magazine focused on recording and live-performance hardware, electronic musical instruments, and music-production hardware and computer software. The final issue of Remix was dated January 2009.

Remix was a monthly magazine for disc jockeys, audio engineers, record producers, and performers of electronic music. The magazine focused on recording and live-performance hardware, electronic musical instruments, and music-production hardware and computer software. The final issue of Remix was dated January 2009.